Ligeti, an Austrian composer and performer, began
the electronically based musical piece Atmosphères in 1961 with the guidance of
Stockhausen and Koenig at the West German Radio studio. The piece contains but only one percussion
instrument, a piano that is not played in its normal configuration; instead,
the strings are directly manipulated producing sustained, textured sounds.
The entirety of Atmosphères is atonal and never completely
settling to the ears. There are portions
of the piece that are much more calm and soothing than portions of the
introduction, that attempt to lash out and grab your attention before quickly
ending, releasing you, but even these portions are still teeming with motion
and frenzy. In the mind’s eye one can
even almost imagine some type of science fiction scene from a movie playing out
with this piece as its background accompaniment. As the piece continues, it follows a wave
like pattern of gaining and losing both sound level and complexity and
concludes with sounds reminiscent of nothing more than white noise.
György Ligeti was born in Transylvania, Romania on
May 28, 1923 and lived in Hungary during his early life before becoming an
Austrian citizen. While he lived in
Hungary much of Ligeti’s early work focused around folk and chorus music until
he began to create his own style of composition. Many of the pieces that Ligeti began to
create as he discovered this style were greatly censored by the Soviet
government and he soon fled to Vienna, Austria.
His composition style then turned from classical to heavily electronic
influenced. After a few attempts at this
form Ligeti returned to more instrumental music, but retained the style of his
electronic stage. He went on to write
several vocal solos and choruses and an opera.
The remainder of Ligeti’s work before his death in 2006 was based on
rhythmic complexity and overlapping rhythms and melodies. Throughout his career Ligeti was recognized
for his work with numerous awards and honorary memberships.
Atmosphères,
was not only one of only four truly electronic pieces created by Ligeti, but it
has been highlighted in popular cinematography such as “2001: Space Odyssey,”
“2010,” and “The Shining.”
No comments:
Post a Comment